గురు రవి దాస్

Ravidassia Census 2011- Ravidassias mark their 634th year in 2011!

We have our own Religion now, we are not second-class citizens of any other religion anymore! Congratulations!
26 March 2011, Census U.K.

baygam puraa sahar ko naa-o.

Baygumpura, 'the city without sorrow', is the name of the town.

dookh andohu nahee tihi thaa-o.
There is no suffering or anxiety there.

naaN tasvees khiraaj na maal.
There are no troubles or taxes on commodities there.

kha-uf na khataa na taras javaal. ||1||
There is no fear, blemish or downfall there. ||1||

ab mohi khoob vatan gah paa-ee.
Now, I have found this most excellent city.

oohaaN khair sadaa mayray bhaa-ee. ||1|| rahaa-o.
There is lasting peace and safety there, O Siblings of Destiny. ||1||Pause||

kaa-im daa-im sadaa paatisaahee.
God's Kingdom is steady, stable and eternal.

dom na saym ayk so aahee.
There is no second or third status; all are equal there.

aabaadaan sadaa mashoor.
That city is populous and eternally famous.

oohaaN ganee baseh maamoor. ||2||
Those who live there are wealthy and contented. ||2||

ti-o ti-o sail karahi ji-o bhaavai.
They stroll about freely, just as they please.

mahram mahal na ko atkaavai.
They know the Mansion of the Lord's Presence, and no one blocks their way.

kahi ravidaas khalaas chamaaraa.
Says Ravi Daas, the emancipated shoe-maker:

jo ham sahree so meet hamaaraa. ||3||2||
whoever is a citizen there, is a friend of mine. ||3||2||

History

History

"The very ink with which history is writen is merely fluid prejudice." Mark Twain

An old saying goes that history is always written by the winners, ie; by those who wield and hold political power. Unfortunately Indian history is no different, and key aspects of it remains poorly researched and documented. Chamars.net aims to address this imbalance and presents a rich kaleidoscope of definitive Chamar history and heritage.

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Arise ! So called untouchables , the real sustainers of life. Awake and know your history , you were the backbone of Guru Gobind Singh's army. Shivaji was able to achieve all that (he did) with your participation which made him ever shining in history. Your sacrifices are worthy of being embedded in golden letters."

"You and you alone are pillars of the nation and its core strength. Awake, O sleeping lions! Rebel , raise the banner of revolt."

Bhagat Singh. Source: ‘Achoot Samasaya’ (The Untouchability Problem) by Bhagat Singh published in the "KIRTI " a Punjabi Magazine published from Amritsar in June,1928.

“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine as children do. It's not just in some of us; it is in everyone. And as we let our own lights shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others”.

Quote

"Something must have gone terribly wrong in the social fabric of Sikh Society that the ugly caste system again started crushing the lower castes into vulgar , inhuman conditions, against which they reacted and revolted , not politically, but by creating their own space : their separate Gurdwaras."

Unquote

THE BANI OF SHRI GURU RAVIDAS JI

THE BANI OF SHRI GURU RAVIDAS JI

An Introduction

Guru Ravidas Ji travelled extensively throughout India preaching and his poems indicate a good knowledge of Hindi, Urdu, Persian and many other regional languages of India. As a result his followers are found in many states of India such as Uttar Pardesh, Punjab, Rajasthan, Gujarat and Maharashtra.

Guru Ravidas Ji’s bani is based primarily on twelve manuscript sources which date from AD 1582 to AD 1698. The manuscripts come from four traditions. First, a non-sectarian tradition represented by the Fatehpur Manuscript of AD 1582. Second the Dadu Panthi tradition, represented by eight Manuscript Source of AD 1636 to AD 1698. Third, a Rajasthani Nath Siddha tradition represented by two Manuscript Source of AD 1660 and AD 1681, and fourth, the Punjabi tradition as represented by the Adi Granth of AD 1603-4.

There 40 hymns and 1 shalok of Guru Ravidas included in Ad Granth (Guru Granth Sahib), namely; Raga - Siri (1), Gauri (5), Asa (6), Gujari (1), Sorath (7), Dhanasari (3), Jaitsari (1), Suhi (3), Bilaval (2), Gaund (2), Ramkali (1), Maru(2), Kedara(1), Bhairau (1), Basant (1), and Malhar (3). One with slight variations is given in both Rag Sorath and rag Maru.

In his writings Guru Ravidas displays an aesthetic simplicity, piety and loving devotion to the Lord. Yet at the same time he boldly proclaims his low caste status and fearlessly challenges and exposes the hypocrisy of the upper caste proud Brahmins. His vision of a casteless society ‘begumpura’ was the precursor to the founding of the Khalsa.

We @ Chamars.net have included all the verses of Guru Ravidas Ji’s bani taken solely from the Guru Granth Sahib with appropriate English transliteration. We will however endeavour to collate all the bani as listed earlier from other extant sources and publish it for you in the near future.

Philosophy

Philosophy

ravidasji_philo_small

Guru Ravidas Ji emerged as one of the prime movers of the ‘Bhakti Movement’, that aimed to reform society through the preaching of ‘Bhakti (devotion) to God’ and the unity of man. Hailed as the liberator of the common man, Guru Ravidas Ji represented the voice of the suppressed and non-privileged. He was a chamar by birth – a cobbler one among the untouchables. This brought him in direct conflict with the upper caste Brahmin clergy, who feeling their religious authority threatened constantly challenged and persecuted him to no avail.

Guru Ravidas’s principle teaching was that he who worships God becomes a man of God. High and low castes are meaningless and absurd. All are equal and everyone should enjoy the fruits of equality and fraternity and can aspire for spiritual attainment. He brought self respect and prestige to the humblest, and fought relentlessly against the unjust and cruel caste system.

Today, we all are inspired by His philosophy which encourages us to help those in need, worship God, lead our life with dignity and work towards a fair and just society.

Shri Guru Ravidass Ji

Shri Guru Ravidass Ji

guruji_pic1Lord, There is no inconsistency between Thou and me or me and Thee.The relationship is like bangle to gold or wave to water.The ceaseless lord, were we not sinners, How wouldest thou be called the emancipator of the fallen.

Shri Guru Ravi Das Ji was born in the village Mandoor Garh, on the outskirts of Kashi (Benaras) in the year 1377 AD ie Bikrami Samvat 1433 (widely accepted by most scholars). His birthday comes every year at Puranmashi in the month of Magh. His mother's name was MATA KALSI JI and his father's name was BABA SANTOKH DASS JI.

Like many of his contemporaries, he travelled extensively preaching throughout India and had religious dialogues with reputed saint poets of the day. He is believed to have also visited Punjab and met with Guru Nanak, founder of the Sikh faith, at least thrice. To whom he bestowed some of his writings to, eventually they were incorporated into the Sikh holy book, the Guru Granth Saheb.

Though historians of Indian religions tend to club Guru Ravi Das JI with the Bhakti movement, a pan Indian devotional cult, his ideas appear to be quite radical. He built his own utopia, a vision of an alternative society, articulated in his hymn “Begumpura”, a city without sorrows, “where there will be no distress, no tax, no restriction from going and coming, no fear”.

In 'Begumpura' he is not simply talking about his love for god and his limitless devotion. His utopia is quite “this worldly”, aspiring for a life without pain and not emphasising on “other worldly” peace or moksha. Equally important is the fact that his message is constructed by his contemporary followers in quite a modernist language where question of caste oppression and his fight against the prevailing structures of authority and Brahmanical caste order is fore-grounded.

Writing on the social milieu in which he was born, his biographer Sat Pal Jassi writes: “Since the advent of Vedic Age, the caste system and untouchability have been prevalent in India. In passage of time, the socio-religious inhibitions became more strict and cruel. The untouchables were given an ignoble place. They were debarred from acquiring knowledge, own property and worship of God…. These conditions prevailed in India for more than 3,000 years.”

It was in this “degenerated environment” that Guru Ravi Das Ji was born. What did he preach and propagate? Jassi continues: “He was a protagonist of equality, oneness of God, human rights and universal brotherhood….He was a suave socio-religious reformer, a thinker, a theosophist, a humanist, a poet, a traveller, a pacifist and above all a towering spiritual figure… He was a pioneer of socialistic thought and strengthened noble values.”

Guru Ravi Das’s utopia was also significantly different from some of the later writings on “a desirable India” produced by people like Gandhi. As Gail Omvedt rightly comments, Ravi Das…was the first to formulate an Indian version of utopia in his song “Begumpura”. Begumpura, the ‘city without sorrow’, is a casteless, classless society; a modern society, one without a mention of temples; an urban society as contrasted with Gandhi’s village utopia of Ram Rajya…..

Overtime Guru Ravi Das Ji became not only a prime mover but dominated a large part of the protest movement against the Brahmanical control over the social and religious life of the people and was accepted as a leader across the entire region. His identification with Guru Nanak, who was from an upper caste, clearly proves this point. As mentioned earlier, Guru Nanak added 40 of his hymns and one couplet into his collection of important writings of the times, which were eventually compiled into the Adi Granth by the fifth Sikh Guru.

It is said that Guru Ravidass Ji disappeared from the world, leaving behind only his footprints. Some believe that Guru Ravidass Ji lived in Banaras during his last days, dying a natural death at the age of 126 years.

పేదల చదువుపై ఏది

పేదల చదువులపై సర్కారు కినుక
naresh , February 24 , 2011

తినడానికి తిండికే లేక కటకటలాడే పేద పిల్లలకు ఉన్నత విద్య అంటే ఒకప్పుడు పగటి కల. అలాంటిది ‘పెద్ద చదువులు పేదల హక్కు’ అని దివంగత నేత వైఎస్ రాజశేఖరరెడ్డి ఎలుగెత్తి చాటారు. డబ్బులు లేని కారణంగా ఏ విద్యార్థీ పెద్ద చదువులకు దూరం కారాదని ఆయన భావించారు. అందుకే విద్యార్థుల ఫీజు రీయింబర్స్‌మెంట్ పథకం ప్రవేశపెట్టారు. ఫలితంగా 25 లక్షల మంది ఎస్సీ, ఎస్టీ, బీసీ, మైనార్టీ, వికలాంగ విద్యార్థులకు పెద్ద చదువులు చదివే అవకాశాలు లభించాయి. మధ్యాహ్నం మంచి నీళ్లతోనే కడుపు నింపుకునే పిల్లలు కూడా ఆ పథకం భరోసాతోనే కళాశాలలలో చేరి పెద్ద చదువులు చదువుతున్నారు. తాము కూలినాలి చేసుకు బతుకుతున్నా, తమ పిల్లలకు బంగారు భవిష్యత్తు ఉన్నదన్న ఆనందంతో వారి తల్లిదండ్రులు ఉప్పొంగిపోయారు. మహానేత వైఎస్ మరణంతో పరిస్థితి అంతా తల్లకిందులైపోయింది. ఆర్థిక, పారిశ్రామిక అభివృద్ధిలోనూ ప్రజాసంక్షేమంలోనూ దేశంలోనే అగ్రస్థానంలో నిలిచిన రాష్ట్రం ఇప్పుడు అట్టడుగు స్థాయికి దిగజారి పోతోంది.

ఫీజు రీయింబర్స్‌మెంట్ ఎగవేతకు రాష్ట్ర ప్రభుత్వం చేస్తున్న ప్రయత్నాలతో లక్షలాది మంది విద్యార్థుల భవిష్యత్తు అగమ్యగోచరంగా మారింది. అతి కష్టంమీద బతుకునెట్టుకొస్తున్న పేద తల్లిదండ్రులను ఫీజులను కక్కమంటే, ఎక్కడి నుంచి తెస్తారన్న ఇంగితమైనా లేకుండా సర్కారు పూర్తి బాధ్యతారహితంగా ప్రవర్తిస్తోంది. చదువులు కొనసాగించలేక, మానుకోలేక విద్యార్థులు ఎంతటి మానసిక క్షోభను అనుభవిస్తున్నారో, వారిని చూసి తల్లిదండ్రులు ఎంతగా కుమిలిపోతున్నారో ప్రభుత్వానికి పట్టడంలేదు.

ఫీజు రీయింబర్స్‌మెంటునే నమ్ముకున్న విద్యార్థులను నట్టేట ముంచడానికి కమిటీలు, ఆదాయ ధ్రువీకరణలు, నోటరీలు, ఆన్‌లైన్ రిజిస్ట్రేషన్లు అంటూ సవాలక్ష అడ్డంకులను, సాకులను వెదుకుతోంది. కోర్టు తీర్పులకు, చీవాట్లకు కూడా చలించకుండా ‘పేదోళ్లకు పెద్ద చదువులు ఎందుకు?’ అన్నట్టుగా వ్యవహరిస్తోంది. సామాజికంగా ఆర్థికంగా వెనుకబడిన వర్గాల శ్రేయస్సే ధ్యేయంగా చెబుతున్న కాంగ్రెస్ ప్రభుత్వం, వారి సంక్షేమానికి ఉద్దేశించిన ప్రతి పథకానికీ ఎగనామం పెట్టాలని చూస్తోంది. ఫీజు రీయింబర్స్‌మెంట్‌కే కాదు, మహిళలకు పావలా వడ్డీ, ఆరోగ్యశ్రీ, వృద్ధాప్య ిపింఛన్లు, రూ. 2కు కిలో బియ్యం, రైతులకు ఉచిత విద్యుత్తు వంటి వైఎస్ పథకాలన్నిటికీ ఉద్వాసన తప్పదని వినవస్తోంది.

అదే నిజమైతే, ఈ ప్రభుత్వానికి ఒక్క క్షణమైనా అధికారంలో ఉండే నైతిక హక్కు ఉండదు. ప్రజల ఆగ్రహం కట్ట్టలు తెంచుకోకముందే, పథకాలన్నిటి కొనసాగింపుకు సరిపడేలా బడ్జెట్లో పూర్తి నిధులను కేటాయించాలి. రీయింబర్స్‌మెంట్ వ్యయంలో 50 శాతాన్ని భరించడానికి కేంద్రాన్ని ఒప్పించాలి. ప్రభుత్వ నిర్వాకానికి ఇప్పటికే ఒక విద్యార్థిని బలి అయిపోయింది. మరింతమంది విద్యార్థినీ విద్యార్థులను బలిగోరకుండా ప్రభుత్వం విజ్ఞత ప్రదర్శించాలని, రీయింబర్స్‌మెంట్ బకాయిలన్నిటినీ తక్షణమే చెల్లించాలని కోరుతున్నాను.
శ్రీనివాస్ పోతుల, తాటిపాక మఠం, పెదలంక గ్రామం, తూర్పు గోదావరి జిల్లా సాక్షి news soujanyamutho

రుణమాఫీ వల్ల ఎవరికి లాభం?

రుణమాఫీ వల్ల ఎవరికి లాభం?
- డా.బి.శ్యామసుందరి

చేనేత కార్మికులను కేవలం ఓటు బ్యాంకుగా పరిగణించి తీసుకు నే చర్యలకు, చేనేత పరిశ్రమ అభివృద్ధి చెందాలని తీసుకునే నిర్ణయాలకు చాలా తేడా ఉంటుంది. రుణమాఫీ క్రింద సహకార సంఘాల రుణాలే కాకుండా, చేనేత కార్మికుల వ్యక్తిగత రుణాలు కూడా రద్దు చేస్తామని ప్రకటన ఇవ్వడం జరిగింది. జాతీయ బ్యాంకులేవి కూడా చేనేత కార్మికులకు అప్పు ఇచ్చేందుకు సిద్ధంగా లేవు.

రాజకీయ అం డదండలు ఉన్న బోగస్ సంఘాలు రుణమాఫీ కింద డబ్బు కాజేసే ప్రమాదం ఉంది. అందుకని కేవలం ఎన్ని కోట్లు రుణమాఫీ కింద విడుదల చెయ్యబడ్డాయని కాకుండా, ఈ పధకం ఎవరికి చేరింది, ఆ సంఘాల, చేనేత కార్మికుల వివరాలు బహిరంగంగా ప్రకటించాల్సి ఉంటుంది. రుణమాఫీ అమలులోకి వచ్చిన ఆరునెలల తరువాత సంఘాలకు ఏం లాభం చేకూరింది, వారికి పెట్టుబడి సౌకర్యం పెరిగిందా, ఇంకా ఎక్కువ మంది కార్మికులకు పని ఇవ్వగలుగుతున్నా రా, వంటి విషయాలను తిరిగి చూడాల్సి ఉంటుంది.

ఈ పరిశీలన లో సంఘం యాజమాన్యం బాగుపడి, పనిచేసే కార్మికుల పరిస్థితి యధావిధిగా ఉందని తేలితే, పథకంలో లోపంఎక్కడ ఉందోపరీక్షిం చే వీలు ఉంటుంది. లేని పక్షంలో చేనేత రంగానికి ఇన్ని కోట్లు (320 కోట్లు) ఇచ్చినా కార్మికుల వలస తగ్గలేదు, చేనేత వ్యాపారం వృద్ధి చెందలేదు అన్న మాటలు మాత్రమే మిగులుతాయి. ప్రభుత్వం నుంచి వచ్చే అరకొర సహాయం కూడా సరైన పర్యవేక్షణ లేక, చేనేత కార్మికులకు అందడంలేదు. ప్రభుత్వం ప్రకటించిన సహాయం వలన ఎవరు లాభపడుతున్నారో కనిపెట్టండి.
- డా.బి.శ్యామసుందరి, చేనేత రంగ నిపుణులు

Literature: Madigas writing

Literature: Madigas writing

Three Telugu poets in translation:

Yendluri Sudhakar
Vemula Yellaiah
Darla Venkateswara Rao



Darky.jpg

Yendluri Sudhakar 2002.
Nalladraksha pandiri / Darky:
A Bilingual Anthology of Poems 1985-2002.
Secunderabad: JJ Publications.
© Hemalatha 2002

Yendluri Sudhakar is a well known and widely respected Telugu poet and short-story writer. His poetry is more accessible in English than most, in this book especially
. It displays his Telugu originals on one side of each opening, the translations, by several different translators, on the other. There are also two informative appreciations of his work.


Four of the translations are included here: ‘An Autobiography’, ‘A New Dream’, ‘Dakkali Girl’ and ‘Mysamma’s Death’. They are an inevitably inadequate introduction to his large and exceptionally varied range. 'MO', the translator of these four, is the main translator for this volume.

For the impressive title poem, ‘Neelika / Darky’ and the many others, please enjoy them on the pages of the book itself.


Two paragraphs (p.185/6) from Tallavajjala Patanjali Sastry's appreciation make an appropriate introduction:

‘Look at what he has done. He is one of those Pochampalli weavers - most evocative motifs, elaborate artistry and if there is a grammar to weaving (and not technique) Sudhakar is an exquisite weaver. His seemingly straight style has a special charm and his cunning employment of metaphors, though not unfamiliar, sound fresh and untouched. Sudhakar does not care for brevity. Any number of his poems - on his widowed mother, Shakeela, his own diabetes, Godavari et al pitchforked him to the front of leading Telugu poets. But as I have been saying he has a niche as a different dalit poet. In saying this I also refer to his prose work though technically I am out of bounds.’


‘Street sweepers are a familiar sight in India. So when Mysammas die, earth doesn't exactly tremble. Look at his opening lines describing her. Clad in a blue saree with a blazing red dot on her forehead, Mysamma appears accompanying the dawn. The allusion is to the cult goddess Mysamma who presided over water and land. Like a Goddess cursed she walked the earth and perished. The legend of Mysamma in different forms appears in texts. He remembered her as a boy pedalling down the road where she worked. The boy in fact was trying to rescue her (on her powerful presence) from the mists of legends. It is a racial memory packed in four separate sentences. The give-away is in the name. Such cult allusions are strewn all over his poetry.’


[p.15/7]

An Autobiography

My autobiography was released in the palace of wonders.

Felicitations on the open stage.

As garlands fall on my neck

Wounds of yester years startle.

When flowers are showered on my head

Deep inside thorny whips flail.

As felicitation addresses are read out

Inside my intestines knives of humiliation pierce.

As incantations ring behind me

In my ears are spread the flaming cries of smoking lead.

When they sat me on the dais

I recollect the face of my grand father

Made to stand at the outskirts of the village.

When glasses full with water are put before me

Scenes of kneeling and drinking water

Touch me as hot deserts.

As a shawl is spread around my shoulders

The vague figure of my blouseless

Grand mother cuts my heart.

As silk clothes are presented to me

The coarse rags of my grand father

Hang on the clothesline of my eyes.

When I am invited to festival feasts

Nights of cast away food

In the cattle sheds come to memory.

As time prostrates at my feet

Clay feet of my shoeless great grand fathers

Move in my mind.

If my childhood teachers are seen on any road

My thumb hides itself in the fist

As a hen encountered by a hawk.

When parrot like, admirers of Rama

Appreciate my poetry in exclamations

The poetry of my race sunk in the soil

Accosts me cruelly.

When colourful cross roads waiting

Invite me with festoons

Golden swans are all too eager to

Take just five steps with me instead of the seven.

The dust of my forefathers' bodies

Breathes anew from their undergrounds.

When women unseen by the sun

Compete in their choice of marriage for me -

Heads struck, limbs cut flare up in me still.

When temples and the new gods

Wait patiently to pay tributes,

Temple bells laugh ironically in semi-darkness.

I have risen as a fifth sun.

Tearing the dark clouds of the four walls.

My rays of blood today

Reflect on the face of the moon.

In the light of the new sun

Time will read my autobiography

As a text book

(1993)

- Translated by ‘MO’

[p.31]

A New Dream

You -

Skinning the five elements,

Once nailing the sky

Once nailing the under world

Soaking skin on the

Seven seas.

For you

The sun and the moon should

Become a pair of shoes !

Head lowered, may be with

Hunger or is it insult -

Making shoes with your own skin,

Grand Father !
I dream of this world
Becoming a toe strap
Kissing your greater toe

(4-10-96)

- Translated by ‘MO’


[pp 47-51]

Dakkali Girl

Believe it or not!

Really that young Dakkali girl

Weaving a date mat

Is a Queen!

As her mother follows her like Renuka Devi,

And father with trap ropes on his shoulder,

Singing Jambu Purana, playing on the solo string,

A bunch of hounds around him -

The earth, a spinning nomadic top

Around their stomachs.

That untouchable girl

Used to move in my tender heart like a puppet.

As the girl entered our ghetto

Riding a donkey

It looked as if Jesus entered Jerusalem.

As winged white ants hovered over her like

Three crore deities

She came tugging up a rainbow to the donkey's tail.

In the whiteness of her calf eyes

Sticky moon shone like red meat.

Her smile with tartar of teeth

Was beyond all measures of beauty.

For that lass's non-Brahmin slang

Even Saraswati can't write the music key.

In childhood I used to drink

Donkey milk as well as mother's milk.

I saw my mother in the donkey the lass used to bring along.

I felt as though a season of milk set foot in my stomach.

Donkey Milk! Donkey Milk!! At her call

The face of our street shone like Arundhati star

Becoming braying donkeys, we gathered round.

With one look at us -

There floated the bliss of a mother breast - feeding

In the maternal eyes of that donkey.

The lass looked like a Buddhist beggar girl

Before our huts for a mouthful of rice or gruel

Of a cupful of hands.

Even the four faced God looking at her

Forehead couldn't tell

Whether her guts are crying or her lips smiling.

If only rice had eyes

Every dry particle would have cried.

The girl wriggled between

Untouchability and hunger

Like a fish in a dried up tank.

We had at least a hut for our heads
Under the roof of the sky.

The girl wandered like a nomad.

In a nation where the foul urine of cows

Becomes pious libation

The untouchable girl had faith only in the donkey.

I always think of that girl.

I talk even in sleep, giving her a morsel

Taking it out from my own stomach.

I dream of her being a step higher than mine.

That Dakkali girl is not seen any more,

Nor my childhood donkey mother!

Both move round inside me.

She stands at the junction of reservations

Demanding her share.

I hear the horn of a buffalo blowing inside me

I see soft grains of rice as knives sharpening within me

Waging a new war against my own ‘higher than thou.’


(6. 9.1998)

- Translated by ‘MO’


Dakkali : Those born of Jambavant's flank. Sub caste

of Madiga, a fifth caste. Nomads.

Jambu Pura : A very ancient myth, tribal in character.
Four-faced God : Lord Brahma.

[pp 129-31]
Mysamma's Death
Our alley in the morning
Used to shine like a silk lalchie pressed.
She used to sweep the lanes
With love as of bathing children.

Her coarse blue saree

An apron-like cloth with checks across

A broom like the waist of a python

A dot on the forehead like a red signal in darkness,

Our Mysamma

Looked like a Municipality Mother.

Menstrual cloths, and dirty linen

All collected

And carried off in a push cart

She looked like Mother Ganges

Washing away all pollution.

Waking up with the morning star

I still remember the strange sound of sweeping.

I who wasn't even as tall as

Her broom stick can never forget our Mysamma.

Mysamma ! Mysamma !

I see a mother in you, Mysamma

For cleaning my own dirt just for love

Though not related by blood.

Coming as yourself a gift,

Asking for a few coins to buy a cup of tea,

At Christmas or the morning after Diwali night -

Is a never fading memory.

'Don't throw rubbish at door steps,' Mysamma,

Whoever listened to your lessons of cleanliness?

Like the cine actor's black money

Dirt grew by the day, foul smell spread

Through the rotten dustbin.

I thought you had fever and so didn't come.

Never thought you would go away leaving no trace

Letting loads of dust remain in our unchanging lives.

Mysamma ! Mysamma!!

As I ride my bicycle

Through the lane of the grave yard

Your memory touches me like a fragrance.

The lane that looked like a washed dhoti

Now hangs its head with the crown of pollution.

Our black dog wails at nights

Rolling in the dust heap -

Maybe remembering you.

(1985)

(An elegy to our Municipal Sweeper)

- Translated by ‘MO’

Nalla Regati Sallu (Black Soil Furrow)
Nallabook.jpg
Short stories of Madiga Sub-castes Women Eds Joopaka Subhadra & Gogu Shyamala

VE1.jpg

Vemula Ellaiah born 1973

Original poems © Vemula Ellaiah 2008

Translations & bio-note: Dr K. Purushotham

© K. Purushotham 2008

A maadiga by sub-caste, Mr Ellaiah is one of the most promising contemporary Dalit writers in Telugu. A post-graduate in Telugu, he has so far published two Dalit novels, namely Kakka (2000) and Siddi (2004). As a poet he has published Dalit poems in the dailies and in anthologies. As a stage artist himself, he employs the resources of Dalit street-plays in the narration of his novels. He is presently working on his third, a sequel to Siddi, planning to publish it this year. He is employed as an ancillary labourer in the Food Corporation of India (FCI) in Nalgonda district, Andhra Pradesh, and takes part in the Dalit debates and activism. Pursuing his Ph.D. in the Department of Telugu, Osmania University, Hyderabad, on "The History and Heritage of Gosaangis in Andhra Pradesh", Mr Ellaiah works with determination to record the heritage of the Dalits in general and maadigas in particular.



1. The sun fastened to a knife

We are the ones living below your habitation

And we are the lighter ones

We are the ones inhaling the stink

Discharged by your elevated mansions


When I was amputated

Pounding stones to fortify your foundations,

It was the limb that I lost

The limb that grew into such a tall mansion


When I collapsed, neck wounded,

Pulling the cart of manure on an untrodden way

When our feet suffered sores

Carrying you in a palanquin and

Massaging your unstrained bodies,

Haven’t you called me a buffalo?

Haven’t you termed us beggars?


We are the ones living below your habitation

And we are the lighter ones

How long can you keep the lids shut on our eyes?

To open the eyes with vengeance is imminent.

Fastening the sun to a knife,

When we walk thunderously

Filing my waist’s knife on flint stones


When the sickle’s handle in my fist squeaks

While chopping diagonally,

The forest should now shudder;

It should now produce

The sound of an uprooting tree


The minority caste-Hindus

Should now step down

At the shrieks of chendalas, the wretched

Who gauged the earth


Telugu original: “Poddunu Kattiki Gatti


2. Stench of Cemetery*

I am the one burning dead bodies

Thrusting down the blazing body with a stick

Shoving the burning pyre-wood into a heap.


I am untouchable

I gather in my loincloth fistfuls of rice

Left at the penultimate destiny of the body

Only after the bier is shifted


When I was the crow among the crows

Awaiting the food offered to the souls of the dead

When I was the one

Offering a couch to the dead body

Fastening sticks of length and breadth

Scaling hillocks and cutting the trunks

Chipping thorns and chopping twigs

When I was the log burning the body into ashes,

It’s you who would

Knock away everything, as an eagle grabs chicks

You, the one who penned the stinking-nonsense of

Cock and bull stories,

In the mind’s silt my body is stirred

By the crowbars of repeated atrocities


Dvija
, the twice born!

You branded me the wretched

I set my foot in the hymn of your incantation.

You only know the delight of incense sticks

I would show you the burial-stink

And the stench of the cemetery.

Here you listen now

I will sing with my filthy voice

The noise of your skulls

Even before you reach the pyre


*
Telugu original: “Begaronni”, one belonging to a Dalit sub-caste

whose traditional occupation is to burn/bury the dead bodies.


3. Faeces*

Carrying on the back

A bucket, a broom and a tin tray

My trace on the earth having been slippery

At the site that’s touched by me

Outcast that is


Drawing faeces from shitting-enclosures

Washing the stink and odour of time

In the manholes of sewers,

I would cap the stench into a snuff-casket


I wouldn’t mind being termed a pariah

In the lingo of your tongue

But when I’m called the wretched caste

It rings in my ear as a buzzing fly


Offering a pitcher of water for washing your anus

And shoving off heaps of shit,

When I stretched out the tin tray for a copper

Didn’t you name me a scavenger?

Being scolded, sporting an innocent face,

Did I ever scorn anyone?

Having endured the stench,

I covered myself

With my occupation as the quilt.


I’m not a rogue to drag into the street

Someone’s squabbles.

The service of the priests,

Filling their bellies to the brim in temples

Chanting credible hymns and the clans of devotees

Was it of any use to anyone?


I am the only one who’s authentic

I would plaster you with faeces

Till the roots of your caste are crumpled


*
Telugu original: “Jaathnaara” (Excommunication)


4. Hard bullock meat

Attending to the time’s turns

Being the residue of hunger around the threshing floor

Being the hard meat of cultivation’s services

Our labour agreement the floor on which we are threshed

The bonded labour having become a yoke

Is anyway stirring on our necks!


When my skeleton keeps sentry

At the ridges of wet-fields,
The merciless thorns of the caste fence

Shredded my body


While your caste is the sunflower

At the way of your farm-shed;

Either a dry palmyra frond or a worn-out chappal

Beckons as a symbol of our occupation and

The trace of our house


We could outline the imprints on leather

Only when your feet moved about on our finger-tips;

My face a round black stone beneath your white feet


Folding together

The travails of hunger and

The stirring bowels of the belly,

The yield of my skin processed leather

Melting cassia
Soaking in lande, the trough1

While chewing a piece of the liver


As the solid walk of your chappal

Trampled on my heart,

I am the one who could see

The generations of my ancestors

Crushed under your walk


It’s anyway known to me -

The knack of skinning by

Binding the feet of the calves of caste.

Having become the bubbling up of

Marking nuts boiled in the earthen casket of oil,

I am filing my tools, awaiting

The moment of glimpsing my full length shadow

In raw blood


Telugu original: “Saanem Tunakalu” (hardened pieces of dry bullock-meat)


5. A novel knock on the eyes
2

My harvesting-floor, when an animal dies,

Is but the slaughtering slab.

Peeling off the skin to mix with lime

Smearing alum with the hands that butchered

Sifting cassia to soak the skin in lande, the trough1

Carrying the stench day long,
We processed the skin stubbornly.


Fastened the leather of bucket-hose3

Wetting with drops of tears.
My caste's

The early factory of artisan occupations

We’re the ones who honoured our occupation


The tail of life being a bullock’s neck-strap

Our trace having become a blister in the knot

Our pot being at the end in the row at water,

Our abode is wailing behind the village


Maadiga,

A grand name for the bonded labour.

What’s there to find by measuring immeasurable depths

Each step of this pit has a generation of insult


How else can my crushed pulse throb

Except as pain when compacted by trampling feet


Being a leader either ritually or as a ploy

Bowing to the one of the caste Hindu

How’s it that you’re fishing as a beggar ra?

Did you negotiate to mortgage the caste

In the mystical game of dice?
Do you feel ashamed or insulted?

Hasn’t the chewed up residue dried out?


You the Dalit betrayer,
Don't ever bow as a hangman!

If the reserved seat goes astray in future

Is there anyone to pity you?

Is there a term to address you?

Struggle to walk on

The moulded path laid by the leader4


Join the Dalit masses

Lest you might spill over or get disturbed in the pathway

Be vigilant!
As a knocking-bird(2) on the magical banyan tree
As the one serving from our bowl,
He, the caste-Hindu, is ready
To prick these eyes ra!


Telugu original: Kallameeda Kotha Varnasaaruva


6. Feats of drum-beats

I am the one who glued my palm
To the heel of your foot's thinned sole

I am the one

Who adorned your worn-out chappal

Grafting my skin


Lacing my nerves into strings of your tender feet,

When the bullock’s eyes wailed as flowers

On the straps of your chappal that I decked,

I joined them wailing!


My grits are the grains

Under your feet in the washing-pan5.

I’m the butcher sharing raw meat on the slaughtering slab

When offered an aged bullock for slaughter


I am the one who lifted first

The fathoms-deep fountain-spring

In the bucket-hoses2.

Is there someone to calculate

The perforations on my palm?

My resonating drum at your ritual is

The very skin flattened with moulds and tools

Yet … When the chisels of 'whore son' and 'widow son'

Pierce my bosom,

The scrap left in the lande1 is our treatment


You, the one of caste-arrogance

The one of amorous tunes and bathing games

My drum, hanging on the peg, knows my gushing agony


I am the one
Who picked up a rupee placed in the soil

Tumbling myself – the belly and the brow – in the dust

To present you amusement


I remain untouchable in spite of the feats I perform

This body had been mortgaged before we were born
This wealth sank in the marsh of your caste men

Beckoning us with waving hands,
It's our own drum that begot tinkling flames

Dripping tender rhythm


The skin that we peeled the layer from with the knife

The leather that’s fastened on the frame of the dappu

The drumsticks have changed the rhythm

We are now stepping our feet to approach with

The feats of the tiger


Telugu original: “Oddulu Tirukkuntu


Notes
1
Lande is a huge oval-shaped earthen container dug into the ground up to the edges; it is used by the madigas for soaking and processing animal leather.

2 The predator bird that strikes the eyes of the rabbit-prey to kill and eat it.

3 A bullock-drawn spherical bucket of about 100 litres, fastened at one end with a diameter of 12-inch leather hose, that holds and releases water as the bullocks tread to and fro drawing the bucket. This device, called mota, was the means of irrigating fields, especially in Telangana, till the emergence of diesel pump-sets in the 1970s.

4 Dr B.R. Ambedkar.

5 As the bride’s mother pours water, the father washes the feet of the groom who stands in a brass pan in the Hindu marriage ritual. The left-over grains of rice used in the ritual are taken away by the maadigas who beat dappu for the ceremony.

Kakka - Ellaiah's first novel (2000)
Yellaiah-Kakka.jpg

Siddi - Ellaiah's second novel (2004)
Ellaiah-Siddi.jpg

Darla-award.jpg
Dr Darla Venkateswara Rao receives award, Delhi Dec. 2007
Darla Venkateswara Rao

Is it an offence to be born here?

English rendering: Dr J.Bheemaiah

I feel a shiver down my spine

If any comments on my birth

I don't know how many theories exist

To show the birth of the universe

But, there exists a single premise

It is the women of my caste folk

Who are hereditarily made

To be their mistresses

For the feudalists

I am a sexual object

I am destined

Only to amuse their heart

I am a prey to their sexual thirst

I have been crushed as Mathangi1 for centuries

About their birth

The puranas are piously recited

I too feel like dragging pochamma or poleramma2

Onto the racchabanda3

To grill them to declare

To whom I was born, and

Who was born of me through whom.

For one thing I am in doubt:

Except those born of the feet of the gentry

Will not those gods taste the ‘youth' of others?

Notes:

1. A woman from a lower caste is also known as Mathangi, Basvini or Jogini. In the name of the village deity, she is thrown open for marriage with anyone coming forward to take her. Already married dominant upper castes use her to satisfy their sexual thirst. They never treat them as their wives of their own caste. Rather they keep them as mistresses. In that way almost all people take advantage of the nature of her ‘marriage' and sexually exploit her.

2. Poleramma/Pochamma: The village deities worshipped by the dalits.

3. Racchabanda: A round platform constructed in the heart of the village where disputes are resolved.


In school and in the lap of mother

English rendering: Dr.J.Bheemaiah

Had I not been born in this caste

I would have thought in a different way

It is good that I was born here, in this caste

For I know now what humiliation is …

For I learn what love is …

And what is to love one and all

My countenance would change

Whenever classical literature became the lesson

I would think whether I should disappear

Or I should flee or I should protest

All eyes would focus on me en masse

I would feel like questioning the creator

As to how many times he would kill

I don’t know

Whether I escaped humiliation

Even in my mother’s womb …

The other day I asked my mother

Why my father’s sore in the leg

She said in confusion

Assuming that I was learning to question

“When you were still in my womb

A terrible storm struck

All the villagers thronged the headman’s house

I entreated for a little space

I was not allowed even to touch the shed

For a fear of death by defilement

Terrible winds

Terrific thunders

Tumultuous rain:

Nobody knew what would happen

In that moment

The uprooted trees came to my rescue

The storm receded the next day

I quivered with hunger

I felt dizzy and fell down.

To the headman’s house

Your father went again

He begged to save me

We are destined to serve the upper castes

He begged for little gruel;

They said they would give it for firewood

While collecting firewood

He hurt his leg - there was a deep cut

His stomach was empty

Despite all that, he won gruel at last

I gulped it a little

But it did not stay in my stomach

Your father knew why after tasting

That it was only rice water!”


May be innumerable instances of grief

Hidden in the depths of the hearts of my parents

Which, though one may plead

They never,

Never have they revealed

It is good that I was born in this caste

For I have learnt to love human beings

I have suffered humiliations

I have suppressed my fury

Or else, innumerable murders

I would have committed!

For Telugu originals of Dr Darla's poetry, see his Madiga Kavulu site.

At the 23rd Dalit Writers National Conference in New Delhi, 9th/10th December 2007, he received the Dr. Ambedkar National Award of the Bharatiya Dalita Sahitya Akademi, presented by Dr. S.P. Sumanakshar, National President (see photograph above). For the paper he presented, please click here.

Home Page: http://vrdarla.blogspot.com


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